The American comic underground was closer to counterculture, and science fiction films weren’t nearly as big a deal as they are today. Courtesy of Jean-Claude Mezieresĭuring the 1960s and 1970s, American comic markets were flooded with superheroes in the wake of the Comics Code Authority squashing popular horror and science-fiction titles. The adventure On the False Earths involves the dup getting swept up in a war of. In the next volume, The World Without Stars, Valerian rescues Laureline from an overweight criminal emperor, who forced her to wear a metal bikini, just as the mobster's floating barge explodes. At one point, Valerian becomes encased in a hard resin that would remind any Empire Strikes Back fan of Han Solo's carbonite prison. In the 1971 volume Empire of a Thousand Planets, Valerian and Laureline scuttle through an ice world, a jungle world, a desert world, and the Death Star-like industrial bowels of the planet "Stryte the Magnificent." They encounter bog creatures and villains who wear masks to protect their radiation burnt faces. In it, "temporal agent" Valerian and his partner Laureline travel in a ship that looks just a little like the Millennium Falcon, the spacecraft introduced in the original 1977 Star Wars. Eight years later, Star Wars took everyone else on the same ride. In 1969, a French comic book took readers to the stars.
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